Commissioned by Sinfonia Varsovia for the opera “The Best City in the World” (“Najlepsze miasto świata”)— inspired by Grzegorz Piątek’s book about the early years of Warsaw’s postwar rebuilding. The story follows an architect and a journalist witnessing the city’s rebirth from ruins. My poster explored the tension between order and chaos — mixing raw, uneven forms with a fragile sense of geometry that hints at structure, sound, and the process of reconstruction.